Release datum: 2009-05-19
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Upon first listen, it's not surprising to see how John Vanderslice has achieved acclaim in the indie rock world. He has all necessary ingredients -- a soft, sweet voice and well put together instru... Lees meer
John Vanderslice's latest album is smooth without being insipid and displays a musical pedigree that harkens back to the dramatic singles of the mid- to late '60s from the dynamic Walker Brothers. ... Lees meer
The most immediately noticeable difference that separates Romanian Names from John Vanderslice’s previous two records — Emerald City and Pixel Revolt — isn’t the whittled down track times or overal... Lees meer
Mann wird verlassen und Mann ist alleine. John Vanderslice erzähltzwölf Geschichten, wie man sich nach der Trauer zu helfen wissenkönnte. Und mit der neuen Situation anschliessend doch nicht zufrie... Lees meer
John Vanderslice turns 42 this month. Yes, the big four-zero, plus two: that’s more years than this album has minutes, and twice the age, I suspect, of much of his fanbase. You wouldn’t guess it li... Lees meer
Amerika is een periode door gegaan waar veel artiesten het nodig vonden om een politieke statement neer te zetten. Maar met het vertrek van Bush Jr. lijkt de hoop wedergekeerd en die noodzaak verdw... Lees meer
When an indie rock album lists flute, orchestron, nyckelharpa, a pump organ, a vibraphone and rabbit holes among its instruments, it would seem fair to assume the record is going to be pretty far o... Lees meer
John Vanderslice's music doesn't change much from album to album. Within the world of indie rock, he's carved him a niche all his own with clean but inventive production and lyrics that spend much ... Lees meer
There's a flawless pedigree in John Vanderslice's musical bio: collaborations with Spoon, The Mountain Goats and Death Cab for Cutie, not to mention a solid individual back catalogue. Each of his p... Lees meer
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